In 2020, Rolling Stone ranked the album number 280 on their updated 500 Greatest Albums of All Time list.
It won Favorite Rap/Hip-Hop Album at 2003 American Music Awards and Top Billboard 200 Album at the 2003 Billboard Music Awards. It was the best-selling album of 2003 in the US, and was nominated for Best Rap Album at the 46th Grammy Awards. In 2020, it was certified 9× Platinum by the Recording Industry Association of America (RIAA). Get Rich or Die Tryin' was ranked by several publications as one of the best albums of the 2000s. The album was ranked number one on the Billboard Year-End 2003 and received generally positive reviews from music critics. The album's singles also saw commercial success, with both " In da Club" and " 21 Questions" reaching number one on the Billboard Hot 100, while " P.I.M.P." became a number one hit in several countries. Released a week in advance to combat bootlegging and internet leakage, Get Rich or Die Tryin' debuted at number one on the Billboard 200, selling over 872,000 copies in its first week of sales.
However, after suffering legal troubles and being blackballed from the music industry, 50 Cent found difficulty in securing another major-label recording contract, until he signed with Eminem's Shady Records in 2002. Prior to the album, 50 Cent released several mixtapes alongside the Trackmasters on an unreleased album widely believed to be his debut in 2000. The album also contains guest appearances from Eminem, Young Buck, and Nate Dogg, as well as features from G-Unit co-members Lloyd Banks and Tony Yayo. Additional production is provided by Mike Elizondo, Sha Money XL, Denaun Porter, Rockwilder, Dirty Swift, Megahertz, and more. Dre, with the duo acting as the album's executive producers, who worked to combine the gangsta rap and R&B combo prevalent in New York hip hop.
After signing with Eminem, 50 Cent also worked heavily with Dr. It was released on February 6, 2003, by Shady, Aftermath and Interscope. Album DescriptionGet Rich or Die Tryin ' is the debut studio album by American rapper 50 Cent. See More Your browser does not support the audio element. But until he drops that truly jaw-dropping album - or falls victim to his own hubris - this will certainly do. And though he very well could be the rightful successor to the Biggie-Jigga-Nas triptych, Get Rich isn't quite the masterpiece 50 seems capable of, impressive or not. Dre (who does four) credit for laying out the red carpet here, and also give 50 credit for reveling brilliantly in his much-documented mystique - from his gun fetish to his witty swagger, 50 has the makings of a street legend, and it's no secret. Give Em (who produces two tracks) and Dr. After all, when co-executive producer Eminem raps, "Take some Big and some Pac/And you mix them up in a pot/Sprinkle a little Big L on top/What the f*ck do you got?" you know the answer. In sum, Get Rich is an incredibly calculated album, albeit an amazing one. That debate aside, however, Get Rich plays like a blueprint rap debut should: there's a tense, suspenseful intro ("What Up Gangsta"), an ethos-establishing tag-team spar with Eminem ("Patiently Waiting"), a street-cred appeal ("Many Men "), a tailor-made mass-market good-time single ("In da Club"), a multifaceted tread through somber ghetto drama (from "High All the Time" to "Gotta Make It to Heaven"), and finally three bonus tracks that reprise 50's previously released hits ("Wanksta," "U Not Like Me," "Life's on the Line") - in that precise order. The thing, though, is that 50 isn't exactly a rookie, and it's debatable as to whether or not Get Rich can be considered a true debut (see the unreleased Power of the Dollar and the Guess Who's Back? compilation ). Even so, Get Rich is indeed an impressive debut, not quite on the level of such landmark debuts as the aforementioned ones by Snoop or Nas - or those by Biggie, Wu-Tang, or DMX either - but impressive nonetheless, definitely ushering in 50 as one of the truly eminent rappers of his era. In fact, the expectations were so massive that they overshadowed the music itself - 50 becoming more of a phenomenon than simply a rapper - so massive that you had to be skeptical, particularly given the marketing-savvy nature of the rap world. Probably the most hyped debut album by a rap artist in about a decade, most likely since Snoop's Doggystyle (1993) or perhaps Nas' Illmatic (1994), 50 Cent's Get Rich or Die Tryin' certainly arrived amid massive expectations.
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